program tiers

Authors may choose one of three tiers for the Breakthrough Writers’ Boot Camp.

All tiers include the workshops, webinars, and access to the author community. Authors may sign up for one tier and later shift to another as needed. New members can start their program the 1st of any month and may leave the program whenever they like— no minimum length of time is required.

Program Intensives

If you’re on deadline or fast-drafting, if you want to reset or level up your career right now, or you just want to make huge progress as quickly as possible, the intensives are for you. You may enroll in either a tier or an intensive, or both.

Authors may sign up for one tier and/or an intensive to start, and then later shift to another as needed. Authors may start their program the 1st of any month and may leave the program whenever they like— no minimum length of time is required.

A note from Kate:

The book development materials in the craft and masterclass tiers are something unique.

Not too long ago, I edited a novel where so much was wonderful and transportive—the character, the voice, the pacing. The author had nailed it. Except the concept of the book was exactly like three others I’d read that year, and I could have told her that from the synopsis and a good discussion. And all three of those books lacked the originality and imaginative hook necessary to have a good chance of selling to a publishing house. I started to wish more authors were able to work with an editor before their book was done to catch these things early, before they’ve done all that work to write it and paid for expensive developmental edits.

Through editing books for clients, I’ve noticed that many of them are paying hundreds or thousands of dollars for edits when the stakes are broken, or their character is passive, or the concept isn’t original enough, or all the interesting things happen in the last third of the story, or the main character’s arc has no meaningful growth. Sometimes it’s more complex — three wonderful POVs tell three amazing intersecting stories, but there’s no central major dramatic question holding them together. Or the story and plot are amazing, but that concept is burned out right now and the author needs to find a way to bring originality and imagination. Writing stories and shaping them into powerful books is time-consuming and demanding. Few of us have extra time, energy, or money to spend on after-the-fact problem solving.

What if those things could be fixed or avoided all together in the developmental stages, and expensive edits left for when the book’s foundational ingredients are working smoothly? Then the editor you’re hiring could dig in even deeper, and your book could command more attention on submission or as you query or with your readers. You could minimize your chances of having to scrap a draft and start over, and you could maximize the marketability and appeal of your story.

I created the book development bible I use in this program specifically to help authors find a less expensive way to solve these issues earlier in the process. Other industries practice project development as a vital stage—authors can, too, right? This doesn’t replace comprehensive edits with a great editor, but it should help authors ensure that the foundation of their story is solid—that the premise is compelling and unique, the plot has a strong structure, the character arcs show insightful transformation, the plot and character arcs drive each other, the focus and purpose of the story is clear through the major dramatic question, the voice is vibrant and memorable, and the opening chapters and querying or submission materials are strong.

A few words from authors who have worked with me in this tier:

“Thank you to Kate for all you've done to help me get THE NOH FAMILY in shape for querying so quickly!! You have been so instrumental in making sure I had all my plot holes covered before I started writing so I wouldn't run into the same problems I had with my last MS. It also helped me write this MS out so quickly (wrote it in 3 months and revised in 1!!). So THANK YOU a million and one times!!! I 100% believe that you’ve helped me identify a plot problem from the beginning which instrumentally helped me speed up the process to write this ms that got me agented. I am so grateful to you and your program!” - Grace Shim, author of The Noh Family, sold in a 6-figure preempt to Kokila. Represented by Andrea Morrison at Writers House.

“The book development tier of the Breakthrough Writers’ Boot Camp with Kate has been amazing—some of the most productive money I have spent learning to write.” - Sara Read, Pushcart-nominated author of women’s fiction, including Johanna the Third from Graydon House Books (HarperCollins/HQN).

"Kate's Breakthrough Writers gave me the tools I didn't realize I needed to tighten the screws in my storytelling. It's no coincidence I landed my dream agent with the manuscript she helped me with." - Mark Benson, YA author represented by Sara Megibow